Finishing | Glass Artwork
Universe
The Sophistication of Decorated Glass. Made in Italy
Arte Veneziana, for over fifty years, committed to pursuing the excellence of Made in Italy craftsmanship, wanted to give free rein to the imagination and creativity of its designers and craftsmen. That’s how the finishing section was born. It recounts about accurate studies with colour and combinations between traditional and new materials expressed in a new, contemporary way.
The inspiration comes from nature and its landscapes. The ever shifting variety of colours and shapes are the subjects of the painted glass walls, of the pen-engraved screens, of the finishes of our furnishings. Each finish can be applied in a thousand different ways. You can furnish a wall, cover a cabinet, decorate the doors of a bespoke closet or even apply the decoration to coffee tables or nightstands and, why not, also to chandeliers with a modern twist.
HANDMADE FINISHING
by Tal Waldman
Inspiration
The notion of Organic Abstraction pertains to a contemporary artistic style that features creations embodying biomorphic forms inspired by the natural world. It also reflects my profound aspiration to preserve the organic and cohesive essence inherent in my works. The abstract arrangement is made up of textured and dynamically flexible shapes that engage in a harmonious interplay, promoting a parallel attitude toward other species and earth.Materials
Extra-clear acid-etched glass, 6 mm thickness, hand-decorated in mixed technique (metal-leaf, engraving and enamel).
Made in Italy
Different minds interpret the landscape in different ways.Paul Cézanne
Artist & Designer
Tal Waldman
Paris
Trained in architecture (DPLG) and Fine Arts, Tal Waldman is a interdisciplinary artist and designer whose work is inspired by various cultures encountered during her stays in Israel, India, Germany, Greece and Paris, where she currently lives. She divides her time between creation, research and publishing.
Architect, designer, artist, she works in a transdisciplinary way using different mediums, sculpture, photography & installation but her common thread remains drawing. Her focus on experimentation and research, as well as her fascination with ancestral know-how has led her to integrate traditional know-how in her art projects, such is the new collaboration with Vetralia-collectible. Tal explores inner landscapes, uprooting, identity and collective memory, but also social subjects rooted in an environmental perspective both physically and spiritually.
Her work is regularly presented in various museums and galleries and she was rewarded on multiple occasions. Upcoming are, a retrospective exhibition of her artwork using glass and new craft in the Stained-glass Museum of Troyesas well as a publication of the book “Visualizing the Invisible” summing up two years of collaborative research.