Capsule collection
French Touch
Tristan Auer, Bruno Borrione, Tal Waldman, Jean-Michel Wilmotte
To collaborate means to listen to the other party. This is why Arte Veneziana continues to develop ideas through design approaches from different backgrounds.
‘The French Touch’ is in fact an enquiry into the opportunities that glass offers, addressed by four designers with different stylistic attitudes. Their common theme is their geographical origin: Paris, one of the world capitals of interior design and the most avant-garde artistic vision.
A way of tributing a nation that offers so much to the culture of beautiful design, a way of understanding where the world of contemporary decoration is moving.
Glass Artwork
Universe Contemporary Artwork
Handmade Decorations
Materials
Extra-clear acid-etched glass panel.
Hand-decoration in mixed technique (metal-leaf, engraving and enamel).
Specifications
Size: W. 80 cm, D. 5 cm, H. 80 cm
Size: W. 31" 1/2,
D. 2",
H. 31" 1/2
Code: WDC-TLW-951-10
Fixing metal bars included.
Custom made to specifications.
Note
The colour may slightly differ from the image as varnishing is an artisanal process.
I Need a Universe Artwork
Artist & Designer
Tal Waldman
Paris
Trained in architecture (DPLG) and Fine Arts, Tal Waldman is a interdisciplinary artist and designer whose work is inspired by various cultures encountered during her stays in Israel, India, Germany, Greece and Paris, where she currently lives. She divides her time between creation, research and publishing.
Architect, designer, artist, she works in a transdisciplinary way using different mediums, sculpture, photography & installation but her common thread remains drawing. Her focus on experimentation and research, as well as her fascination with ancestral know-how has led her to integrate traditional know-how in her art projects, such is the new collaboration with Vetralia-collectible. Tal explores inner landscapes, uprooting, identity and collective memory, but also social subjects rooted in an environmental perspective both physically and spiritually.
Her work is regularly presented in various museums and galleries and she was rewarded on multiple occasions. Upcoming are, a retrospective exhibition of her artwork using glass and new craft in the Stained-glass Museum of Troyesas well as a publication of the book “Visualizing the Invisible” summing up two years of collaborative research.
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